Designing Detailed Clothing

Vlad Outfit [Outfit] This page describes some best practice for clothing and outfit creation, using the Vlad outfit which you can download original source files for here. The outfit showcases the following best practice areas; Model Creation We recommend following current game character modelling practices; specifically using PBR texturing tools and low poly models with a high detail normal map. This brilliant set of four short tutorials are a fabulous start to learning how to create detailed clothing. Pirate Creation Part 1- Designing a Base Mesh Pirate Creation Part 2 - Customizing a 3D Body in ZBrush & Blender Pirate Creation Part 3 - Modeling 3D Clothes in ZBrush & Blender Pirate Creation Part 4 - Texturing the Clothes in Substance Painter The Vlad outfit was created with a set of high detail models (totalling 1 million polygons) to create normal and tangent maps and a set of low detail models (totalling 12,000 polygons) for upload to the Space platform). Tessellation Tessellation shaders allow you to create multi-million polycount details across your model with almost no performance impact. They are fantastic at creating ultra-smooth surfaces that you can zoom in to as close as you like. Upload a low poly, high performance model And transform it inworld into a high detail, super smooth, high poly but low performance asset using the custom built Space tessellation shader; Using tessellation shaders means you no longer need to sacrifice inworld performance to achieve a high quality product. Tessellation shaders create dynamic multi-million polycount level of detail, controlled by camera distance. They use Phong Tessellation to ensure that hard edges are rounded by tessellation processes. Avoiding Tessellation Seams Please paint red all vertices that run along UV seams. Phong Tessellation can fail on UV seams where the vertices are not connected. This will create gaps in the mesh around UV seams. Our tessellation shader has support for excluded zones - to exclude a vertice from tessellation, paint the vertex colour in your 3D modelling tool pure red (255,0,0). This will tell the shader to avoid separating the mesh on this area. INSERT IMAGES - broken seam. Red vertex. Fixed seam. (Need images from Tom) Tessellation or Geometry? Best Practice – where does it make sense to to use tessellation and where to use geometry? Tessellation height maps can introduce complex patterns that would otherwise require extreme polygon counts; such as fabric ruffles, distressed or wrinkled items. They work best with organic patterns that do not contain hard edges - unless they are slightly rounded. As a guiding principal, set the Tessellation Edge to between 5-15. This means no triangle with an edge shorter than 15 pixels will be created. Setting the edge length shorter than this offers marginal visual benefits but may start to impact on performance. Avoid setting Tessellation Edge to 1! Hard edged non-organic shapes should have a basic geometry rather than in tessellation - as bitmapping of the heightmaps can introduce undesired noise on the model. Basic tessellation with smoothing is excellent for rounding off ultra smooth surfaces (think shoes and other elements which want ultra smoothed corners). Space Custom Clothing Shader Space supplies a custom shader to handle the tessellation on clothing items which is available free in the Space editor pack. Search for Unified Clothing & Skin (Metal and Tessellate) and add this shader to you clothing material. See the Unified Clothing And Skin page for more details. Weighting and Rigging Use skin weight transfer if you have non-skin tight clothing (dresses, baggy items). Then reweight by hand as appropriate. You can use our automated skinning system built into the clothing component if your clothing item is skin tight. Physically Based Rendering (PBR) Background PBR allows you to accurately simulate a huge range of materials. It carries through energy conservation, so avatars will look better across a wide range of lighting environments, maintaining a realistic look throughout. Our PBR maps follow a Metalness/Smoothness workflow (based on the Unity 5 Standard Shader) - however as a general note, Specular/Smoothness workflows work just fine too. Physically based shading in Unity 5 Working with PBR in Unity Basic theory of physically based rendering Working with physically based shading - A practical approach Creating PBR Textures There are a number of tools in the market for creating PBR textures; Quixel Suite Substance Painter You can also use Photoshop. You cannot preview in Photoshop but you can edit in Photoshop and see the results update instantly on your model in the Unity editor. You can also use Marmoset to preview with Photoshop. Patterns For adding additional patterns to your clothing, see Creating Clothing Patterns for more details.